Honors Theses from 2024
The Cicadas are Always Beneath our Feet, Mary Kate Charles
Hidden in Humor: Redefining Abjection through Implication, Maddy Kish
Stuck in Motion, Margaret LaFollette
Good Enough, Haley Levin
Navigating Intersectionality and Holding Treasures Closely, Serena Li
Omnipresence and an Outlier, Cheyenne Monk
Visualizing Philosophy and Depicting the Inner World, Becky Moon
BOK: Wishes, Fortune, Belonging, Rachel Park
Honors Theses from 2023
I Wish My Work to be Obsolete: Forward Motion, Through Grief and Reflection Under the Lens of Intersectional Feminism in Korea, Haejin (Hezin) An
A Loud Volume Landscape, Grace Buyers
Sad Socks Without Sole Mates, Shaelee Comettant
On Autonomy: Personal Agency Under Late Stage Capitalism, Levi Gentry
On the Six-Cornered Snowflake, Jackson Hescock
Strange Reality: A Detailed Look of How Monstrosity and Theatricality Changes the Way an Artist Works, Yixiang Luo
A Meditation on Loneliness and the Mind's Limits: Combining Buddhism and Art to Better Understand Our Relationship to the Unknown, William Masters
Ritual and Digital Craftsmanship: Imprudent Practices, Mik Patrik McDonnell
Looking to Entangle, Alex McLaughlin
Drawing as Process: Expansiveness Through Constraint, Ciel Miao
A Peeling Art, Terry Rim
To dig a Hole and Fill It back Up, Jackson Whetstone
Melting, Dripping, Becoming: The Operations of Memory from the Perspective of Wax, Naomi Yu
Honors Theses from 2022
Costume Box, Lena Cramer
Pain is a Low-Hanging Fruit, Connor Dolan
Infinite Instruments, Betsy Ellison
Labor of Love, Alex Evets