Because we do not have the express consent from the authors of these works, they are not publicly available for viewing.
Students typically retain ownership of copyright in papers, theses and dissertations written as a student to earn credit in university courses or otherwise to satisfy university degree requirements (WU IP Policy (§I(3)(b)(iii)). In most cases, any public distribution of MFA theses requires express consent of the author. .
If you are an author and would like to make your thesis publicly available, please email digital@wumail.wustl.edu.
Theses/Dissertations from 2010
Touching the World, Paola Laterza
An Etude (On Play), Mad Mohre
Fractured Identities, Emily Moorhead
Untitled, T Pierson
Untitled, Emily Rawdon
Embodied Perceptions, Nicolette Ross
The Re-Sensitized Experience, Carlie Trosclair
Untitled, N Wiseman
Untitled, T Zurloye
Theses/Dissertations from 2009
Artist Statement/Statement of Objectives, Beau Abbott
Statement, Sidney Baker
Placescapes, Stephanie Barenz
Statement, Meghan Bean
Abjection and Sensation within an Unraveling Society, Carolyn David Bendel
Statement, Alison Burke
Application, Ji-sun Choi
Application, Brent Collins
Application, Zlatko Cosic
Untitled, Bryan Eaton
An Altered View, Meredith Foster
On Discussing Deviance, Morgan Gehris
Losing my Religions: Religious Symbols in Contemporary Landscapes, Gina Grafos
Untitled, C Holder
Understand, Understood, Stephen Joseph Hoskins
Lost and Found: The Art of the Everyday, Amelia Jones
Untitled, S Kampelman
Discovery of Awakening Moment between Illusion and Reality, Hye Young Kim
Greater then the Sum of Its Parts: The Object as Trace, Anne Janine Lindberg
Untitled, Pam Maciesz
How one learns that there is no Santa Claus, Goran Maric
Intepreting Collage and the Poetics of Travel, Kelda Jean Martensen
Art After the iPod: Institutional Critique in the Digital Age, Erica L. Millspaugh
MFA Thesis, Carianne Noga
Untitled, E Norman
Contemporary College Social Ritual in New Millennium Classicism, Joel Parker
Art and Climate Change: The Relevancy of Art and the Role of Artists in a Changing World, Rebecca Potts
Behind the Mirror: The Façade of Photography, Shannon Randol
Creating a Psychological Space: In Between the Tangible and Intangible, Elaine Diana Rickles
Trial and Air: An Artists Discovery and Re-Evaluation of the Technology of Pneumatic Architecture Engineered to Fit into the Contemporary Landscape of Sculpture, Michael Kenneth Smith
7H3515: The Work of Art in the Age of Digital Distribution, Dan Solberg
Untitled, L Song
Unlawful Assemblies: Queer Aesthetics and the Re-Ordering of Conventional Frameworks, Glenn Tramantano
The Fashion Research Collection & Library, Kathryn O. Trout
The Art Experience: A Vehicle for Paradigm Shift, John Taylor Wallace
Theses/Dissertations from 2008
Meditations on Blindness, Margaret Adams
Application, Gunjan Ahlawat
The Poetry of Loss and Decay, Elizabeth Simmons Allen
Application, John Allen
Application, Scott Arthur
Application, Shira Berkowitz