This collection is an "archive" of digitized School of Art theses from 1967-early 2010s. It is only available and accessible to designated Sam Fox School administrators. The Sam Fox School of Design and Visual Arts was established in 2006. Previously, the fine art degrees were from the School of Art (later the College of Art), founded in 1879. Students typically retain ownership of copyright in papers, theses and dissertations written as a student to earn credit in university courses or otherwise to satisfy university degree requirements (WU IP Policy (§I(3)(b)(iii)). In most cases, any public distribution of MFA theses requires express consent of the author. Because we do not have the express consent from the authors of these works, they are not publicly available for viewing.

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Theses/Dissertations from 2010

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Touching the World, Paola Laterza

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An Etude (On Play), Mad Mohre

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Fractured Identities, Emily Moorhead

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Untitled, T Pierson

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Untitled, Emily Rawdon

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Embodied Perceptions, Nicolette Ross

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The Re-Sensitized Experience, Carlie Trosclair

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Untitled, N Wiseman

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Untitled, T Zurloye

Theses/Dissertations from 2009

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Artist Statement/Statement of Objectives, Beau Abbott

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Statement, Sidney Baker

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Placescapes, Stephanie Barenz

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Statement, Meghan Bean

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Abjection and Sensation within an Unraveling Society, Carolyn David Bendel

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Statement, Alison Burke

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Application, Ji-sun Choi

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Application, Brent Collins

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Application, Zlatko Cosic

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Untitled, Bryan Eaton

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An Altered View, Meredith Foster

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On Discussing Deviance, Morgan Gehris

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Losing my Religions: Religious Symbols in Contemporary Landscapes, Gina Grafos

Untitled, C Holder

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Understand, Understood, Stephen Joseph Hoskins

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Lost and Found: The Art of the Everyday, Amelia Jones

Untitled, S Kampelman

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Discovery of Awakening Moment between Illusion and Reality, Hye Young Kim

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Greater then the Sum of Its Parts: The Object as Trace, Anne Janine Lindberg

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Untitled, Pam Maciesz

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How one learns that there is no Santa Claus, Goran Maric

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Intepreting Collage and the Poetics of Travel, Kelda Jean Martensen

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Art After the iPod: Institutional Critique in the Digital Age, Erica L. Millspaugh

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MFA Thesis, Carianne Noga

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Untitled, E Norman

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Contemporary College Social Ritual in New Millennium Classicism, Joel Parker

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Art and Climate Change: The Relevancy of Art and the Role of Artists in a Changing World, Rebecca Potts

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Behind the Mirror: The Façade of Photography, Shannon Randol

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Creating a Psychological Space: In Between the Tangible and Intangible, Elaine Diana Rickles

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Trial and Air: An Artists Discovery and Re-Evaluation of the Technology of Pneumatic Architecture Engineered to Fit into the Contemporary Landscape of Sculpture, Michael Kenneth Smith

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7H3515: The Work of Art in the Age of Digital Distribution, Dan Solberg

Untitled, L Song

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Unlawful Assemblies: Queer Aesthetics and the Re-Ordering of Conventional Frameworks, Glenn Tramantano

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The Fashion Research Collection & Library, Kathryn O. Trout

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The Art Experience: A Vehicle for Paradigm Shift, John Taylor Wallace

Theses/Dissertations from 2008

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Meditations on Blindness, Margaret Adams

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Application, Gunjan Ahlawat

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The Poetry of Loss and Decay, Elizabeth Simmons Allen

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Application, John Allen

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Application, Scott Arthur

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Application, Shira Berkowitz