This collection is an archive of digitized School of Art theses from 1967-early 2010s. It is only available and accessible to designated Sam Fox School administrators. The Sam Fox School of Design and Visual Arts was established in 2006. Previously, the fine art degrees were from the School of Art (later the College of Art), founded in 1879.

Because we do not have the express consent from the authors of these works, they are not publicly available for viewing.

Students typically retain ownership of copyright in papers, theses and dissertations written as a student to earn credit in university courses or otherwise to satisfy university degree requirements (WU IP Policy (§I(3)(b)(iii)). In most cases, any public distribution of MFA theses requires express consent of the author. .

If you are an author and would like to make your thesis publicly available, please email digital@wumail.wustl.edu.

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Theses/Dissertations from 2018

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A Reflection of Lingering in Nature, Xinyue Deng

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Hauntology and the Wizard of Oz, Harley Lafarrah Eaves

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Observance: A Passage, Charis Scheider Norell

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Lost & Found, Ron E. Young

Theses/Dissertations from 2013

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For the Benefit of Man, Lyndon Barrios Jr

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Intersect: Art and Community, Sarah Bernhardt

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Ground to Stand On: Imaginative Revisions of Space and Spatial Ideologies, Hsuan Ying Chen

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Uncertain Skies, Serhii Chrucky

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Let's Go to the Mall, JaNae Contag

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(Re)mission: Illness, Language and the Self, Carrie DeBacker

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Death of Self, Erin M. Duhigg

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Rules of Engagement: A Culture at War with Its Own Image, Jose Garza

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I am Mohammed al'Qahtani, Eric Gray

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Handmade Cinema: Time and Illusion in Painting, Video, and Film, Meghan Allynn Johnson

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Artist as a Gardener, Christine Eunji Lee

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Narrative, History, Memory and Trauma, Hoa Lee

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Narrative, History, Memory, and Trauma, Hoa Thi Minh Le

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Presentation, Nadler

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Systems, Jon A. Orosco

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Possible Worlds: On Metonymy and Projective Vision, Michael Powell

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Consumer Culture, Identity and the Illusion of Perfection, Bridget A. Purcell

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Misrepresentation: Muslims and Arabs in the West, Malahat Qureshi

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To See and Respond to Traces from My Daily Life, Natalie Rodgers

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Between the Map and the Map and the Territory, Carla Fisher Schwartz

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Agency and its Affair with Artifice, Zak Smoker

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Vulnerability as Strength in Social and Spatial Practices, Laurencia Strauss

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Seeking New Paths, Lili Yang

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Artificial Landscapes, Vivian Zapata

Theses/Dissertations from 2012

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The Re-Validation of Value Beyond an Expiration Date, Ifeoma Ugonnwa Anyaeji

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MFA Thesis, Jennifer Baker

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Awe and Construction, E Thurston Belmer

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Re-Connection: an excursion into darkness, Lauren Cardenas

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Crafting Fable: Storytelling in Visual Art, Megan Collins

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Boundless Flesh: Painting and the Regenerative Grotesque, Adrian Cox

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Displays of Science, Maya Clarice Durham

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Hell Yeah! Pimp the System, Erin Imena Falker

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Constructing Liminal Space, Jieun Kim

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Painting Thought and Time, Howard Krohn

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Absence Through Abundant Presence, Marie Bannerot McIerney

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Form as Trace: Time as Choreographer, Nikki McMahan

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The Aesthetic Manifold, Michael T. Meier

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Dogs and Desire, Katie Millitzer

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Artist as Trickster, Shape Shifter and Hero, Lavar Munroe

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In Media Res: Painting and Poetry in the Middle of Things, Reid G. Norris

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After the game is before the game, Kathleen Perniciaro

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Untitled (Sincerity is the new radical), Emily Squires

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Temporal Formalism, Jamie Presson Wells

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Solutionism: A Future Consciousness in Public Art Practicum, Andrew Woodard

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Untitled, Whitney Lorene Wood

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Exploring the Idea of Self Through the Imaginative Space of the Image, Kelly K. Wright