Abstract
This thesis is mainly a chronological account of the growth and development of the Negro musical movement in Saint Louis, Missouri. Included is an introductory background concerning the Negro in Music in America, and an account of the individuals who helped foster the development in Saint Louis. There is also a special chapter on Jazz and the Negro as a Jazz Musician in Saint Louis. Many books and periodicals have been written on the development of music and of the Negro music of America, but I do not know of a comprehensive text written on the growth of a Negro musical movement in a selected community. Saint Louis was chosen as the particular community since I am best acquainted with this city, and also because Saint Louis is one of the cities in the United States richest in Negro musical lore. The musicians in this dissertation are divided into four categories: performers, composers, conductors, and teachers. Also included are music lovers and patrons who are not musicians, but have contributed to the development of this movement. The music to be discussed is divided into these categories:
- Religious music
- Secular music
Degree
Master of Arts (AM/MA)
Author's Department
Music
Document Type
Thesis
Date of Award
6-1959
Language
English (en)
DOI
https://doi.org/10.7936/qcn0-vf69
Recommended Citation
Cotter, John Cleophus, "The Negro in Music in Saint Louis" (1959). Arts & Sciences Theses and Dissertations. 2025.
The definitive version is available at https://doi.org/10.7936/qcn0-vf69