Author

Kari Varner

Abstract

This thesis is an archive composed of text and image that catalogs the perpetual distance between the photograph and its subject. In my practice the fluidity of representation is examined through the frame of the photographic archive, while the notion of what constitutes a photographic archive is redefined. While seeking to describe the mutability of encounters with landscapes and past memories the materiality of the photograph is emphasized, the image and its substrate destabilized, and both experience and photograph are fleeting. In many cases water acts as the alchemical substance for transformation, leading the photographs closer to a state of dematerialized materiality. My longing lies in the desire to fully represent a subject through the photographic image, and awareness that the photograph leads not towards an understanding of the subject, but a photographic fiction.

Committee Chair

Zlatko Cosic

Committee Members

Zlatko Cosic

Comments

Permanent URL: https://doi.org/10.7936/K7B27SR2

Degree

Master of Fine Arts (MFA) in Visual Art

Author's Department

Graduate School of Art

Author's School

Sam Fox School of Design & Visual Arts

Document Type

Thesis

Date of Award

Spring 5-2017

Language

English (en)

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