Abstract

My paintings are based on the concept of liminal space. I am interested in imagined representations of cityscapes and landscapes from my living experience. In my paintings, liminal spaces are expressed by transmitting past experience and the present moment in a way that provides for negotiation and contemplation of the idea of places.

In this thesis, I will discuss influences of oriental art and Abstract Expressionism on my artwork. Most of my paintings are based on photographs when I took for the base of my painting. My artwork is comprised of black and white gestural brushstrokes, which are composed of complicated multiple structures. Dense layering is built on a grid. Through gestural brush making, I am able to depict my unconsciousness relation to the liminality of being in between places.

My artwork in general is based on aspects of oriental and traditional landscape painting. As a method/ideology, I express divided configuration and emphasized emptiness and fullness of space by using an oriental brush painting, which is guided by the tradition of calligraphy. My personal meanings of spaces and the transitional experience between Seoul and Chicago are depicted in my paintings.

Committee Chair

Andrea Stanislav

Committee Members

Andrea Stanislav

Comments

Permanent URL: https://doi.org/10.7936/K7D21W2P

Degree

Master of Fine Arts (MFA) in Visual Art

Author's Department

Graduate School of Art

Author's School

Sam Fox School of Design & Visual Arts

Document Type

Thesis

Date of Award

Spring 5-19-2017

Language

English (en)

Available for download on Saturday, September 24, 2044

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