Abstract
This thesis focuses on the complex nature of experience and the ability to capture its essence through forms of representation. I start with a narrative to give the reader my personal his- tory and context that drive my work. I then go on to examine the moment in which an experience exceeds the mundane and becomes significant. I also examine the object by focusing on its ability to act as a remnant of an experience, and therefore, it becomes a means of self-reflection. I use the work Box with the Sound of its own making by Robert Morris and Inhabited for a Survey (First Floor Plan from Self-Portrait as a Building) by Mark Manders in correlation with my own to explain the role of objects in the recollection of memory. Lastly, I analyze a work by Thomas Demand, titled Poll, to focus on the photograph’s lack of ability to represent a moment fully.
Committee Chair
Ron Fondaw
Committee Members
Ron Fondaw
Degree
Master of Fine Arts (MFA) in Visual Art
Author's Department
Graduate School of Art
Document Type
Thesis
Date of Award
Spring 5-10-2017
Language
English (en)
Recommended Citation
Carter, Colton R., "Contemplation of a Place, Slow and Constant" (2017). Graduate School of Art Theses. ETD 74.
The definitive version is available at https://doi.org/10.7936/K7C24TWF
Comments
Permanent URL: https://doi.org/10.7936/K7C24TWF