Abstract

Through meditation and layering of yarns, I visually present the process of embracing myself, specifically my personal traumas, and cultural duality. The tension between concealing and revealing of constant shifts in emotion is a crucial facet of my artwork. Evolving from an art therapy technique, the Winnicott Squiggle Game, I am drawn to the connections one can make with one another from a simple cluster of lines and create images as a result. These images are a result of intention and accident, a combination that mimics inevitable life choices.

My method of creating each canvas is a very intricate process and becomes a form of meditation, embodying the essential meaning of my work. Expressing obsession of art making and repetitive labor with use of yarn is essential for me. Tangible interaction with the fluid yarn, that I do not have complete control over, is crucial as I ‘draw’ with thread and yarn. These sets of lines create texture and movement, which allow for a distinct experience of the viewer depending on what has been done to these organic forms. The organic forms represent the macro and micro; the forms all come together to be complete. The audience are able to experience my process of art making and meditation.

In the thesis, I will discuss the importance of repeated artmaking process and influences of abstract expressionism. I will also examine how emotions and sympathy is universal through my visualization of a space that encompasses the viewers.

Committee Chair

Jessica Baran

Committee Members

Jessica Baran

Comments

Permanent URL: https://doi.org/10.7936/K7KP81MX

Degree

Master of Fine Arts (MFA) in Visual Art

Author's Department

Graduate School of Art

Author's School

Sam Fox School of Design & Visual Arts

Document Type

Thesis

Date of Award

Spring 5-2018

Language

English (en)

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