Abstract
This dissertation investigates how a constellation of German Jewish post-Holocaust novels confronts the paradox of recovering and recuperating lost stories of Holocaust victims. I analyze how works by Edgar Hilsenrath, Jurek Becker, and Fred Wander reveal a preoccupation with the innumerable stories and testimonies of the individuals who did not survive the Nazi Judeocide to contribute to the archive of experience. These novels gesture toward an epistemological alternative to this loss: they consider possibilities for recovering the unarchivable. These German Jewish authors employ a particular cluster of varied narrative strategies: the dialogic, linguistic and cultural elements of Eastern European Jewish culture, and a literary trope I term the "almost lost story," as components of a narrative practice that allows the novels' narrators--and by extension, the readers--to imagine a discursive space for this disnarrated testimony, or "anti-archive." This study uncovers the extent to which post-Holocaust German Jewish literature is underpinned by a conception of Ashkenaz that encompasses both German Jewish and Eastern European Jewish culture and thought. My dissertation shows that the problems of trauma, loss, memory, and memorialization in post-1945 German Jewish fiction are above all problems of narrativity.
Committee Chair
Erin McGlothlin
Committee Members
Jennifer Kapczynski, Caroline Kita, Tabea Linhard, Paul Michael Lützeler
Degree
Doctor of Philosophy (PhD)
Author's Department
Germanic Languages and Literatures
Document Type
Dissertation
Date of Award
Spring 5-15-2015
Language
English (en)
DOI
https://doi.org/10.7936/K7JD4TXW
Recommended Citation
Twitchell, Corey Lee, "The German Jewish Post-Holocaust Novel: Narrative and a Literary Language for Loss" (2015). Arts & Sciences Theses and Dissertations. 474.
The definitive version is available at https://doi.org/10.7936/K7JD4TXW
Comments
Permanent URL: https://doi.org/10.7936/K7JD4TXW