Abstract

In Mineral Fictions: Archives, Bodies of Extraction, Soundscapes, and Possible Futurities in Contemporary Mexican Literature I propose a critical tool to read contemporary fiction that depicts mineral and oil extraction which I call mineral fictions. I argue that contemporary writers employ a seemingly extractive methodology—extraction, excavation, experimentation, and refinement—to create fabulations stemming from the gaps in archival materials. These fabulations serve as sites of dwelling for bodies affected by extractive sociocultural configurations, as well as proposing other ways of approaching socioenvironmental crises and laying the foundation for the exploration of potential futurities rooted in relationality. The extractive metaphor I assign to these authors’ methodologies underscores a narrative figuration that affords a critique to the logic of disposability embedded in extractive capitalism. Ultimately, through Mineral Fictions, I aim to underscore how contemporary Mexican fiction writers seek out what has been discarded, obscured, and/or hidden doing so in an effort to stir up a sedimented stratum of violence.

Committee Chair

Stephanie Kirk

Committee Members

Ignacio Sánchez Prado, Bret Gustafson; Carolyn Fornoff; Ila Sheren

Degree

Doctor of Philosophy (PhD)

Author's Department

Hispanic Languages & Literatures

Author's School

Graduate School of Arts and Sciences

Document Type

Dissertation

Date of Award

8-13-2026

Language

English (en)

Available for download on Saturday, August 12, 2028

Share

COinS