Abstract

This dissertation explores the intersections of emotion and Protestant theology in late-16th-century German literature. The project demonstrates the availability of even secular texts to confessional readings through the analysis of representations of emotions. Post-Reformation texts practice an emotional exemplarity that highlights the effects - including the spiritual effects - which emotional experiences have on the individual. I argue that narrative representations of emotions at this moment reflect anxieties about the nebulous nature of faith, and its central role in Protestant salvation. Close readings of widely-read texts such as the 1587 Faustbuch, Melusine, and Hans Sach's Judith: ein Comedi, among others support this claim.

Committee Chair

Gerhild S Williams

Committee Members

Lynne Tatlock, Matt Erlin, Christine Johnson, Abram Van Engen

Comments

Permanent URL: https://doi.org/10.7936/K7QV3JP3

Degree

Doctor of Philosophy (PhD)

Author's Department

Germanic Languages and Literatures

Author's School

Graduate School of Arts and Sciences

Document Type

Dissertation

Date of Award

Winter 12-15-2014

Language

English (en)

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