Abstract
Working counter to the critical hegemonies of the New Modernist Studies, Deceptively Ingratiating Shapes assembles an unusual group of novels by twentieth- and twenty-first-century women writers that strategically combine traits of “literary” fiction with various conventions of popular genres. Through their recourse to the tools and tropes of fantasy, the historical novel, the Gothic, or the spy thriller, the women writers featured in this project repurpose old methods of telling women’s stories, reconfigure the means by which women lay claim to history, and rethink the shape and extent of women’s obligations to the communities around them. Under the term “feminist narrative politics,” I argue that imaginative works by Sylvia Townsend Warner, Rebecca West, Jeanette Winterson, Virginia Woolf, Bernardine Evaristo, Daphne du Maurier, Helen Oyeyemi, Elizabeth Bowen, and Kate Atkinson challenge readers to rethink assumptions about the genre of “women’s fiction” and to attend to women’s narratives as sites of cross-generational, feminist world-making.
Committee Chair
Melanie Micir
Committee Members
Barbara Baumgartner, Kristin Bluemel, J. Dillon Brown, Vincent Sherry,
Degree
Doctor of Philosophy (PhD)
Author's Department
English and American Literature
Document Type
Dissertation
Date of Award
Spring 5-15-2021
Language
English (en)
DOI
https://doi.org/10.7936/p1ps-z873
Recommended Citation
Lillard, Grace, "Deceptively Ingratiating Shapes: The Feminist Politics of Popular Genre in Twentieth-Century British Fiction" (2021). Arts & Sciences Theses and Dissertations. 2437.
The definitive version is available at https://doi.org/10.7936/p1ps-z873