Abstract
In Feeling Women’s Cuir Culture: Reparative criticisms, Temporal Displacements I identify cuir moments, that is instances scattered through time when heteropatriarchal structures are troubled to later use that troubling either as a political force or an epistemological moment. I argue that women’s cuir cultural production uses negative feelings to unmake normative structures; therefore, keywords in this production are able to reorient us to empathetic practices of cultural criticism. Throughout a diverse corpus that ranges from the analysis of canonical literary figures such as Inés Arredondo to visual culture and fashion, from a Brazilian graphic novel to drag performances in the thirties, I aim to create and dismantle an affective cuir gendered canon that exceeds narratives of the nation, modernity, and the lettered city.
Committee Chair
Stephanie Kirk
Committee Members
Elzbieta Sklodowska, Rebecca Wanzo, Emily Hind,
Degree
Doctor of Philosophy (PhD)
Author's Department
Romance Languages and Literature: Hispanic Studies
Document Type
Dissertation
Date of Award
Spring 5-15-2020
Language
English (en)
DOI
https://doi.org/10.7936/t8h0-5z67
Recommended Citation
Dennstedt, Francesca, "Feeling Women's Cuir Cultural Production: Reparative Criticisms, Temporal Displacements" (2020). Arts & Sciences Theses and Dissertations. 2177.
The definitive version is available at https://doi.org/10.7936/t8h0-5z67