Date of Award
Master of Fine Arts (MFA) in Visual Art
Aesthetics can be proposed through language. Metaphysical experience through technology is an accumulation of information. My practice accentuates the failure of languages that are mediated through technology. Using readymade objects as a signifier for collective experience, I create sets for films that have never existed. Rooted in the conceptual terrain, I seek to concretize the intangible, my sculptural installation was assembled by objects conceived as unknown, or coded messages, and largely applied the color matte black. Matte black, for its non-color, accomplishes openness – freedom. The immersive experience of darkness also echoes with the cinematic environment. Ultimately, my work functions as a loop from language to film and back again. Open-ended, interactive, and resistant to closure, the objects in my installations exist as tangible plots, and viewers can create their own filmic narrative by threading together the evidence of this invisible film in their own minds.
Program Director's Department
Graduate School of Art
Lu, Cole (Pei-Yu), "MECHANICAL COMMUNICATION GUTS -- . -.-. .... .- -. .. -.-. .- .-.. / -.-. --- -- -- ..- -. .. -.-. .- - .. --- -. / --. ..- - ..." (2014). Graduate School of Art Theses. ETD 14. https://doi.org/10.7936/K700001P.