Date of Award
Master of Fine Arts (MFA) in Visual Art
In this thesis, I compile a series of fragments consisting an analysis of my artwork in the gendered contexts of landscape, self-identity, mythology, and philosophy. I develop my concept of a “queer mark” in my art that serves as a form of queering, a disruption of visual and conceptual cohesion. I form a picture of how our contemporary selves are influenced by our gendered understanding of the landscape through the analysis of philosophical, artistic, and mythological concepts of creation. I see my sculptures as an atlas to an alternative means of understanding identity, a queering of these historical and exclusionary means of making identity. My focus on using alchemical processes of ceramics and geological material to represent an ever-becoming identity ties my sculptures to the landscape and subterranean world of our origins.
Program Director's Department
Graduate School of Art
Knight, Sarah, "Crystal Queer: Fracturing the Binaries of Matter, Creation, and Landscape" (2020). Graduate School of Art Theses. ETD 133. https://doi.org/10.7936/m6rs-wz07.
Art Practice Commons, Ceramic Arts Commons, Feminist Philosophy Commons, Fine Arts Commons, Geology Commons, Geomorphology Commons, Geophysics and Seismology Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, Metaphysics Commons, Other Feminist, Gender, and Sexuality Studies Commons, Sculpture Commons