Date of Award
Spring 5-7-2025
Degree Name
Master of Fine Arts (MFA) in Illustration & Visual Culture
Degree Type
Thesis
Abstract
This research essay contends that artists and creative individuals must recognize their agency in shaping societal narratives, particularly during times of technological and political upheaval. The essay draws on the insights and contributions of visionaries like Walter Benjamin, Ursula K. Le Guin, and Tomm Moore to emphasize the power of imagination and creativity in addressing real-world issues. It argues that previous technological advances have often reinforced hierarchical and oppressive systems, benefitting a select few while neglecting the masses. As we enter the fourth Industrial Revolution, this essay calls the artists to reclaim their tools from being co-opted for exclusionary and destructive purposes. By resonating with the moral and ethical considerations of past visionaries, contemporary creatives can build a defense against the misuse of technology and narrative. This essay highlights the responsibility of artists as direct contributors to the world order, urging them not to be passive spectators but active participants in the fight for inclusivity and justice.
Language
English
Program Chair
John Hendrix
Recommended Citation
Saif Ur Rehman, Saba, "The Kinship of Creatives" (2025). MFA in Illustration & Visual Culture. 38.
https://openscholarship.wustl.edu/mfa_illustration/38
Included in
Aesthetics Commons, Cognition and Perception Commons, Communication Technology and New Media Commons, Critical and Cultural Studies Commons, Fine Arts Commons, Folklore Commons, Gender, Race, Sexuality, and Ethnicity in Communication Commons, Graphic Communications Commons, Illustration Commons, Interdisciplinary Arts and Media Commons, International and Intercultural Communication Commons, Mass Communication Commons, Other Film and Media Studies Commons, Other Philosophy Commons, Visual Studies Commons