Language

English (en)

Prize Year

2025

Document Type

Unrestricted

Abstract

This essay explores how hope among migrants of the Great Migration was shaped by positive depictions of African Americans in photography, particularly through the work of Harlem Renaissance photographer James VanDerZee. It argues that these images offered migrants a vision of their desired futures, but true hope depended on the actions taken to realize those visions.

Comments

Dean James E. McLeod Freshman Writing Prize, 2025

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