Author's School

Graduate School of Arts & Sciences

Author's Department/Program

Music

Language

English (en)

Date of Award

1-1-2011

Degree Type

Dissertation

Degree Name

Doctor of Philosophy (PhD)

Chair and Committee

Robert Snarrenberg

Abstract

This dissertation studies the long, late works of Morton Feldman. Tackling this confusing body of work from an aural and experiential perspective, the dissertation develops a preliminary method for analysis and reflects on the unusual temporal experiences engendered by the music, including experiences of time in an annular dimension and the constitution by the listener of an "aural plane."

DOI

https://doi.org/10.7936/K7C827DF

Comments

Permanent URL: http://dx.doi.org/10.7936/K7C827DF

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