Theses/Dissertations from 2024
The Daily Struggle: Philip Guston and American Art in the 1930s, Maxwell Dunbar
Colliding Worlds: Visual Culture in France and Colonial Algeria (1918-1962), Lacy Murphy
Theses/Dissertations from 2023
“In those men see yourselves”: The Sienese Production of Illustrious Men, 1125-1555, Julie James
Theses/Dissertations from 2022
Modernism as Public Art: Reawakening the Social Agency of Abstract Public Sculpture, 1950–1980, Tola Porter
Un'orrida bellezza: Religious Polychrome Sculpture in the Kingdom of Naples (1503-1714), Lindsay Rose Elizabeth Sheedy
Race and Space in Impressionist Paris, Orin Zahra
Theses/Dissertations from 2021
Spectacular Ambition: The Failure and Reception of Leonardo da Vinci’s Equestrian Monument to Francesco Sforza, Emily Jean Hanson
“Triumph of the Imagination”: The Decorative Aesthetic in the Symbolist Art of Gauguin, Redon, and Denis, 1886-1910, Kirsten Marples
Theses/Dissertations from 2020
É̉tienne de Beaumont, Surrealist Dance, and Transformations in the Paris Avant-Garde, 1913-1938, Amanda Holly Beresford
Sustaining the Republic: The Power of Political Prints by Honoré Daumier, Édouard Manet, André Gill, and Alfred Le Petit, Maxime Valsamas
Theses/Dissertations from 2019
Painting Ephemera in the Age of Mass Production: American Trompe l’Oeil Painting and Visual Culture in the Late Nineteenth Century, Katherine Brunk Harnish
Jewish Taste: Modern Art Collecting, Identity, and Antisemitism in Paris, 1870-1914, Mia Laufer
Theses/Dissertations from 2018
Fashioning Florence: Portraiture and Civic Identity in the Mid-Sixteenth Century, Stephanie Ariela Kaplan
Canonizing Modernism: An Avant-Garde Legacy in France’s Sacred Art Movement, 1937–1958, Heather Renee Read
Theses/Dissertations from 2017
Michelangelo Moving Time, James Philip Anno
Theses/Dissertations from 2016
Marble Made Flesh: Michelangelo's Bruges Madonna in the Service of Devotion, Lindsay R.E. Sheedy
A Network of Experience: Community Building and Social Restructuring in Fluxus, Margaret Sherer
Theses/Dissertations from 2015
Murals, Montage, Modernism: Public Art in the United States Between the Wars, Clara Barnhart
The Comic Grotesque: Troubling the Body Politic in American Graphic Satire from World War I to the Great Depression, Bryna Rae Campbell
Michelangelo and Pope Paul III, 1534-49: Patronage, Collaboration and Construction of Identity in Renaissance Rome, Erin Christine Sutherland
Theses/Dissertations from 2014
Turbulent Bodies: Disruptive Materiality in American Painting, 1880-1940, Matthew Karl Bailey
Benign Imperialists: Ethnographic (mis)Representation by German Painter-Adventurers, 1840-1890, Sarah Hermes Griesbach
Eternal Personae: Chiusine Cinerary Urns and the Construction of Etruscan Identity, Theresa Rose Huntsman
Theses/Dissertations from 2013
The Monumental Province: Asia and the Temples of the Roman Empire, Andrew Findley
Remotely Mexican: Recent Work by Gabriel Orozco, Carlos Amorales, and Pedro Reyes, Jodi L. Kovach
Rompre le Cable a la Vie Bourgeoise: Paintings of the Caribbean from Camille Pissarro's Firest Years in Paris, 1855-63, Mia G. Laufer
Modernist Orientalisms: Klee, Matisse, and North Africa, c. 1906-1930, Sarah Ann McGavran
Spaces of Japonisme and the Art of Whistler, Van Gogh, and Monet: Collecting, Decoration, and the japanese Other, Diane Marie Towle
Camping the Canon: Yasumasa Morimura's Queer Performative Critique of Art History, Anna Gallagher Warbelow
Through the Body: Corporeality, Subjectivity, and Empathy in Contemporary American Art, Elissa Yukiko Weichbrodt
Envisioning the Unseen: Sisyphos in Chthonic Landscapes, Elizabeth Graff Wolfson
Theses/Dissertations from 2012
The Performance of Art: Picasso, Léger, and Modern Dance, 1917-1925, Amanda Holly Beresford
Innocence Abroad: The Construction and Marketing of an American Artistic Identity in Paris, 1880-1910, Emily C. Burns
Participating in Public: Female Patronage and Economic Prominence at Hellenistic Priene, Ashley Eckhardt
Inventing the Sculptor: Leonardo da Vinci and the Persistence of Myth, Emily Hanson
Charles Sheeler's "Practical Manifestations": Painting and Design in the 1930s, Jennifer Padgett
Adrift in Paris: Marc Chagall and the Negotiation of Identity through Painting, 1911-1914, Aliya Reich
Theses/Dissertations from 2011
Wifredo Lam: Negotiating Transcultural Modernism and Artistic Identity in Europe, The Caribbean, and The United States, Maria Fierro
Pottery Production, Mortuary Practice, and Social Complexity in the Majiayao Culture, NW China (ca. 5300-4000 BP), Ling-yu Hung
Re-framing the Doni Tondo: Patronage, Politics and Family in Michelangelo's Florence, Eric Hupe
Memorializing Destruction: Preservation of Bombed Churches as Second World War Memorials in Britain and Germany, Julia Reardon
Theses/Dissertations from 2010
O Corpo do Brasil: The Role of the Brazilian Body in the Art of Ernesto Neto, Samantha Wilson
Theses/Dissertations from 2009
The Development of Architectural Office Specialization as Evidenced by Professional Journals, 1890-1920, Elyse McBride
Natural Disorder: The Animal Image in French and British Art before Darwin, c. 1790-1859, Noelle Paulson
Controlling Miasma: The Evidence for Cults of Greek Craftspeople from the Archaic to the Hellenistic Period (6th - 2nd c. BCE), Christine Smith