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Theses/Dissertations from 2024

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The Daily Struggle: Philip Guston and American Art in the 1930s, Maxwell Dunbar

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Colliding Worlds: Visual Culture in France and Colonial Algeria (1918-1962), Lacy Murphy

Theses/Dissertations from 2023

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“In those men see yourselves”: The Sienese Production of Illustrious Men, 1125-1555, Julie James

Theses/Dissertations from 2022

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Modernism as Public Art: Reawakening the Social Agency of Abstract Public Sculpture, 1950–1980, Tola Porter

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Un'orrida bellezza: Religious Polychrome Sculpture in the Kingdom of Naples (1503-1714), Lindsay Rose Elizabeth Sheedy

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Race and Space in Impressionist Paris, Orin Zahra

Theses/Dissertations from 2021

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Spectacular Ambition: The Failure and Reception of Leonardo da Vinci’s Equestrian Monument to Francesco Sforza, Emily Jean Hanson

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“Triumph of the Imagination”: The Decorative Aesthetic in the Symbolist Art of Gauguin, Redon, and Denis, 1886-1910, Kirsten Marples

Theses/Dissertations from 2020

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É̉tienne de Beaumont, Surrealist Dance, and Transformations in the Paris Avant-Garde, 1913-1938, Amanda Holly Beresford

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Sustaining the Republic: The Power of Political Prints by Honoré Daumier, Édouard Manet, André Gill, and Alfred Le Petit, Maxime Valsamas

Theses/Dissertations from 2019

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Painting Ephemera in the Age of Mass Production: American Trompe l’Oeil Painting and Visual Culture in the Late Nineteenth Century, Katherine Brunk Harnish

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Jewish Taste: Modern Art Collecting, Identity, and Antisemitism in Paris, 1870-1914, Mia Laufer

Theses/Dissertations from 2018

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Fashioning Florence: Portraiture and Civic Identity in the Mid-Sixteenth Century, Stephanie Ariela Kaplan

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Canonizing Modernism: An Avant-Garde Legacy in France’s Sacred Art Movement, 1937–1958, Heather Renee Read

Theses/Dissertations from 2017

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Michelangelo Moving Time, James Philip Anno

Theses/Dissertations from 2016

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Marble Made Flesh: Michelangelo's Bruges Madonna in the Service of Devotion, Lindsay R.E. Sheedy

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A Network of Experience: Community Building and Social Restructuring in Fluxus, Margaret Sherer

Theses/Dissertations from 2015

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Murals, Montage, Modernism: Public Art in the United States Between the Wars, Clara Barnhart

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The Comic Grotesque: Troubling the Body Politic in American Graphic Satire from World War I to the Great Depression, Bryna Rae Campbell

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Michelangelo and Pope Paul III, 1534-49: Patronage, Collaboration and Construction of Identity in Renaissance Rome, Erin Christine Sutherland

Theses/Dissertations from 2014

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Turbulent Bodies: Disruptive Materiality in American Painting, 1880-1940, Matthew Karl Bailey

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Benign Imperialists: Ethnographic (mis)Representation by German Painter-Adventurers, 1840-1890, Sarah Hermes Griesbach

Eternal Personae: Chiusine Cinerary Urns and the Construction of Etruscan Identity, Theresa Rose Huntsman

Theses/Dissertations from 2013

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The Monumental Province: Asia and the Temples of the Roman Empire, Andrew Findley

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Remotely Mexican: Recent Work by Gabriel Orozco, Carlos Amorales, and Pedro Reyes, Jodi L. Kovach

Rompre le Cable a la Vie Bourgeoise: Paintings of the Caribbean from Camille Pissarro's Firest Years in Paris, 1855-63, Mia G. Laufer

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Modernist Orientalisms: Klee, Matisse, and North Africa, c. 1906-1930, Sarah Ann McGavran

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Spaces of Japonisme and the Art of Whistler, Van Gogh, and Monet: Collecting, Decoration, and the japanese Other, Diane Marie Towle

Camping the Canon: Yasumasa Morimura's Queer Performative Critique of Art History, Anna Gallagher Warbelow

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Through the Body: Corporeality, Subjectivity, and Empathy in Contemporary American Art, Elissa Yukiko Weichbrodt

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Envisioning the Unseen: Sisyphos in Chthonic Landscapes, Elizabeth Graff Wolfson

Theses/Dissertations from 2012

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The Performance of Art: Picasso, Léger, and Modern Dance, 1917-1925, Amanda Holly Beresford

Innocence Abroad: The Construction and Marketing of an American Artistic Identity in Paris, 1880-1910, Emily C. Burns

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Participating in Public: Female Patronage and Economic Prominence at Hellenistic Priene, Ashley Eckhardt

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Inventing the Sculptor: Leonardo da Vinci and the Persistence of Myth, Emily Hanson

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Charles Sheeler's "Practical Manifestations": Painting and Design in the 1930s, Jennifer Padgett

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Adrift in Paris: Marc Chagall and the Negotiation of Identity through Painting, 1911-1914, Aliya Reich

Theses/Dissertations from 2011

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Wifredo Lam: Negotiating Transcultural Modernism and Artistic Identity in Europe, The Caribbean, and The United States, Maria Fierro

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Pottery Production, Mortuary Practice, and Social Complexity in the Majiayao Culture, NW China (ca. 5300-4000 BP), Ling-yu Hung

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Re-framing the Doni Tondo: Patronage, Politics and Family in Michelangelo's Florence, Eric Hupe

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Memorializing Destruction: Preservation of Bombed Churches as Second World War Memorials in Britain and Germany, Julia Reardon

Theses/Dissertations from 2010

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O Corpo do Brasil: The Role of the Brazilian Body in the Art of Ernesto Neto, Samantha Wilson

Theses/Dissertations from 2009

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The Development of Architectural Office Specialization as Evidenced by Professional Journals, 1890-1920, Elyse McBride

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Natural Disorder: The Animal Image in French and British Art before Darwin, c. 1790-1859, Noelle Paulson

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Controlling Miasma: The Evidence for Cults of Greek Craftspeople from the Archaic to the Hellenistic Period (6th - 2nd c. BCE), Christine Smith