This item is under embargo and not available online per the author's request. For access information, please visit http://libanswers.wustl.edu/faq/5640.

ORCID

http://orcid.org/0000-0002-3649-5573

Date of Award

Spring 5-15-2020

Author's School

Graduate School of Arts and Sciences

Author's Department

English and Comparative Literature

Degree Name

Doctor of Philosophy (PhD)

Degree Type

Dissertation

Abstract

This project argues that postwar artists of color—Toni Morrison, Charles Johnson, Octavia Butler, Ruth Ozeki, Boots Riley, Art Spiegelman—formulated the relationship between race and species for a multispecies ethics. "Race and Species" redresses the schism between animal studies and scholarship on race, two fields that regard the comparison between racialized humans and nonhuman animals as either expedient for animal liberation or appropriative of racial violence. Juxtaposing material from the Enlightenment history of science with twentieth-century aesthetic objects, "Race and Species" illustrates how postwar authors suture together and revise the material, rhetorical, and ethical connections between race and species. "

Language

English (en)

Chair and Committee

Anca Parvulescu

Committee Members

Rafia Zafar, William J. Maxwell, Long Le-Khac, Rebecca Wanzo,

Available for download on Wednesday, May 15, 2120

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